The sequence Checked Baggage consists of photographs of objects confiscated during the course of one week at Schiphol Airport baggage control in the Netherlands. This unusual harvest was photographed in an austere style evoking a commercial catalogue, demythologising the powerful facade of contemporary antiterrorist paranoia.

In 2003, Christien Meindertsma bought 3,263 objects at auction in Amsterdam; they had been confiscated from a total of 600,000 travelers during the course of one week at Schiphol Airport baggage control in the Netherlands. Included in this unusual harvest were scissors, corkscrews, combs, penknives, toy guns, drawing compasses, razor blades, potato peelers, gardening tools, a bullet-shaped lighter, as well as any object that might in theory arouse fears of in-flight terrorist activity.

The sequence Checked Baggage consists of photographs of these objects, usually grouped according to kind, size or colour. The austere presentation, white background, diffused light and frontal view evoke illustrated commercial catalogues. Her straightforward yet strange still-life photographs document a process of police control in the context of an increasingly frantic, sometimes indeed hysterical, antiterrorist campaign. The subject-matter of these photographs includes used objects with the name of their previous owner engraved or attached to them, sharp objects providently wrapped with a view to preventing minor injury, gifts or souvenirs confiscated before they could be opened.

Meindertsma ridicules the strategies of anxiety relentlessly fostered by this practice in the minds of unsuspecting travelers with images which, through an apparent pop lightness, demythologise the powerful facade of contemporary antiterrorist paranoia. To achieve this goal, her photographs walk a thin line between the indexical, documentary use of the photograph and a glossy commercial rhetoric. The result is an enigmatic collection of everyday household objects assembled through the processes of control, public auction and photography.

In keeping with its content, Meindertsma's hand-made book of the same title was itself designed to be potentially vulnerable to confiscation at some airport control, since each copy contains one of the "forbidden" objects.

Christien Meindertsma was born in Utrecht, Netherlands (1980) and studied at the Design Academy, Eidhoven. In addition to Checked Baggage (2004), other recent award-winning projects include Flocks, a series of hand-woven objects which attempt to restore an indirect connection between the consumer and the animal whose wool was used for that particular object, and PIG05049, a book depicting 185 products made from a specific pig (identified by its ear-tag code), including shampoo, munitions, heart valves, chewing gum, beer, pills and bread. Her work attempts to bridge the distance between the individual consumer and the living origin of a product, introducing a sense of history as well as a connection to the source of what is usually considered raw material in a rather abstract way. Her approach to design thus involves a sensitive attempt at arousing and enhancing consumer awareness.